31. Shri Shri Imli Tala Temple




Radhanath Swami has taken several pilgrimages to Imli Tala. On one such pilgrimage, he described that when Shri Radhika disappeared from the midst of the Sharad-purnima rasa dance, Krishna was searching for Her with intense feelings of separation. This mood of separation increased Their anticipation for meeting, and thus very much increased Their intensity of love. Radhanath Swami further explained that, Krishna, in this mood of separation sat down under this Kalpavriksha Tamarind tree at Imli Tala and became so completely absorbed in the thoughts of Shrimati Radharani and chanting Her holy names, that His body assumed the color of Shrimati Radharani. Just at that time, Shrimati Radharani appeared, relieving His separation and subsequently, He again assumed His original form of Shyamasundara. At this very place, Krishna then disclosed to Shri Radhika, “In My intense ecstasies of separation, I assumed Your form, Your complexion and Your ecstatic love. In the age of Kali, I will again appear like this, I will appear with Your complexion and with Your mood of ecstatic love and I will spread that love throughout the world, to all living beings, through the sankirtanmovement – the loud congregational chanting of the holy names: Hare Krishna Hare Krishna, Krishna Krishna Hare Hare / Hare Rama Hare Rama, Rama Rama Hare Hare.”
According to His word, Lord Shri Krishna appeared in the age of Kali, as Shri Caitanya Mahaprabhu, just 500 years ago, with the complexion and the mood of ecstatic love of Shrimati Radharani. When Lord Chaitanya visited Vrindavan, He would come to Imli Tala everyday and for hours and hours with his japa-mala, He would deeply absorb Himself in chanting the holy names, sitting under this Imli tree. In the mood of Shrimati Radharani He would become so deeply immersed in the ocean of separation from Shyamasundara that Lord Chaitanya’s golden form would be transformed into the complexion of a dark, newly formed monsoon rain-cloud. This is Imli Tala.


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50 Temples Mathura And Virandavan

20. Foot Prints Of Lord Krishna

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It is believed that Charan Pahari has the impression of Krishna's feet. Charan Pahari is situated on the southwest side of Nandagram, near the street that goes to Kamyavana. This place is a 1 km from Pavana Sarovara in Nandagaon of Mathura District. Indeed, even today, one can see these impressions unmistakably. The stones on the close-by slope where his companions were playing and the calves were brushing likewise softened, leaving impressions of their feet and hooves.
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34. Kali Deh Temple

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Kaliya ghat or  Kalideh  is the place on the banks of river Yamuna where Lord Krishna during his childhood pastimes in Vrindavan subdued a poisonous serpent Kaliya Nag. Earlier Yamuna used to flow near to this place but during the course of time the river has drifted away. It’s said that once Krishna was playing with his Sakhas on the bank of river Yamuna. Suddenly their ball went inside the river. Fearing of Kaliya Nag, due to whom the water of Yamuna was also turned poisonous, no one was ready to go inside the river and bring the ball back. Knowing this Krishna decided to relieve the people of Vrindavan and river Yamuna of this poisonous serpent and thus jumped from the nearby Kadamba tree into the river.  Kaliya nag , who was sleeping, got angry at Krishna for disturbing his sleep. In a fit of anger he started releasing poison from his mouth. Krishna immediately jumped and mounted over one of the hoods of Kaliya who was having thousands of hoods. There was a long fight betw
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23. Sankari khor

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This is the famous place where Kṛṣṇa’s dana-lila takes place: where he asks the gopis to pay taxes, steals their milk products, and breaking their curd-laden pots. Here Kṛṣṇa’s gopas would face off with the delicate gopīs in argument and flirtatious exchanges. In celebration of this occasion, the men from Nandagoan sat opposite to the men of Barṣāṇā, repeating the ancient songs of yore carrying forward the glorification of their personal ishtadevas (worshipable deities). The  buddhi-lila , namely the transcendental arguments between Kṛṣṇa and the gopis who are en route from Chiksoli village to Barṣāṇā. Nowadays the residents stand and shout at each other from atop the ravine. The lila concludes with the Matki lila, or the breaking of the earthen wares. According to  Vraja-bhakti-vilāsa , there are two mountains in Barṣāṇā – Brahmā and Viṣṇu. On the Viṣṇu mount is located Vilāsagarh and the rest of the mountain is Brahmācala. At the juncture of the two is Sankari Khor, wher
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